Marie Gibbons

 
Medium:Sculptors
Growing up on Long Island, NY, I spent the first 21 years of my life on the water, or beach. I relocated to Colorado in 1977. Almost 30 years later, still on dry ground, I find that I still think in a way based on those early coastal experiences. Constantly examining the relationship of human being to ocean and the separate but connected worlds we share. Being distanced physically from the ocean has enhanced my memories, and brought more meaning to these connections. I find the parallels of survival in water to that of survival in life profound. The most basic lesson that the water provided me personally was that of learning how to relax and trust it, realizing that once I did I would float.

My work is typically narrative, speaking of the things that I experience and surround me in my day to day life. I interpret these incidents using metaphor: imagery of things that mean something to me, but are also identifiable to the viewer. Although I personally may intend specific meaning and purpose to a piece, it is my hope that the work is flexible enough to allow individual interpretations by each viewer. I create art because it is the way I think, the way I share my thoughts, and the way that I strive to assist others in conceptualizing events in their own lives.
I work in clay and mixed media. Each piece hand-built, using techniques such as pinch, slab, coil or 2-part press molds into which slabs are pressed and the pieces assembled and altered. My work is typically finished post-firing, using a variety of mediums such as acrylic paints and washes, inks, wax pigments and metallic surfaces.

I was born in 1955, in Port Jefferson, NY. In 1977 I relocated to Alamosa, CO to attend Adams State College with the hopes of double majoring in Art and Special Education. After one year I had run out of funds, and rather than create more debt for myself decided to move to Denver and return to work in retail management, my previous career path. Several years, a marriage and two children later, I found myself yearning for the time to create art. I ‘dabbled’ and experimented, creating things for my own enjoyment. In 1992 I made the conscious decision to take my love of art into a more serious direction. This move towards being a professional artist was one that I had no reference point and began by researching the paths of other artists. This was the beginning - meeting and becoming friends with other artists, learning of other exhibition opportunities, etc. At that time I was working in metals creating hand fabricated jewelry pieces and found object sculpture. I worked in this medium for approximately 3 years while feeling pulled towards working in clay. I made friends with several clay artists along the way and loved their work and the possibilities that clay seemed to offer. In 1995 I was given a raku firing by a good friend, Bebe Alexander for my 40th birthday. That was it, I was hooked on this medium.