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In the artist's own words:
I enjoy the outdoors—plein-air painting is a lot about surviving the elements. Feeling the heat or cold, the bugs, the wind, all somehow become translated into the paintings. I also work in the studio, but all my work is based on time I have spent outside. Keeping my work fresh, I have found, is a challenge. I often worry that it will be hard to continue to be a landscape painter in a place where you have lived and worked all your life. But I have found that what used to seem to be a limited resource is, in fact, quite limitless. The more I paint, the more options for paintings are opened up. While I am constantly looking for new motifs to paint, I have also noticed that working from the same places over and over again has infinite possibilities--in that the light changes throughout the day, as well as throughout the year, and offers endless subtle changes in mood and personality. I find myself re-examining many things that I have worked already or passed by in times past and finding that there is something there that I didn’t see or maybe was not capable of expressing before. I find it very interesting to try to understand what it is about a place that causes me to stop and paint. For the most part, I stop because I like what I am looking at, or there is a certain color that jumps out at me. I also believe that there is a certain geometry and/or rhythm that may be some of the underlying influence. As I strive to move forward in my work I try to understand and express these things. I am constantly looking for the balance between the abstract quality of a satisfying paint stroke verses the accumulation of paint strokes that add up the visual expression and hopefully then to some kind of an emotional experience for whoever stops to look. |
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